{"id":2486,"date":"2007-02-18T15:19:10","date_gmt":"2007-02-18T20:19:10","guid":{"rendered":"https:\/\/altercine.org\/Laureats\/khady-sylla\/"},"modified":"2025-06-25T14:00:29","modified_gmt":"2025-06-25T19:00:29","slug":"khady-sylla","status":"publish","type":"portfolio","link":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/","title":{"rendered":"Khady Sylla"},"content":{"rendered":"

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[vc_row padding_top_multiplier=\u00bbcustom\u00bb padding_bottom_multiplier=\u00bbcustom\u00bb rc_heading_color=\u00bbwhite\u00bb rc_bg_type=\u00bbimage\u00bb rc_bg_image=\u00bb328″ rc_bg_color_overlay=\u00bbblack\u00bb rc_bg_opacity_overlay=\u00bb40″ rc_font_color=\u00bb#FFFFFF\u00bb padding_top=\u00bb128px\u00bb padding_bottom=\u00bb35px\u00bb][vc_column grve_css=\u00bb{\u00abdesktop\u00ab:{\u00abmargin-left\u00ab:\u00ab15px\u00ab,\u00abclass\u00ab:\u00abgrve-wpb-1741979987199\u00ab}}\u00bb]

Ganadores<\/span><\/span><\/h1>[\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_section]

[vc_row section_type=\u00bbcontainer-width\u00bb disable_element=\u00bbyes\u00bb][vc_column][vc_column_text css=\u00bb\u00bb text_style=\u00bbsmall-text\u00bb]Accueil<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_row section_type=\u00bbcontainer-width\u00bb padding_top_multiplier=\u00bb2x\u00bb padding_bottom_multiplier=\u00bb\u00bb][vc_column width=\u00bb1\/4″ content_width=\u00bbcustom\u00bb horizontal_content_position=\u00bbcenter\u00bb custom_content_width=\u00bb370″]

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\"Khady<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_row_inner][vc_column_inner grve_css=\u00bb{\u00abdesktop\u00ab:{\u00abmargin-top\u00ab:\u00ab-12%\u00ab,\u00abmargin-left\u00ab:\u00ab-12%\u00ab,\u00abclass\u00ab:\u00abgrve-wpb-1598351068805\u00ab},\u00abtablet_portrait\u00ab:{\u00abmargin-left\u00ab:\u00ab-2%\u00ab}}\u00bb]
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Ganadora 2007<\/span><\/h2>

Khady Sylla<\/span><\/h1>[vc_row_inner columns_gap=\u00bb60″ tablet_sm_columns_vertical_gap=\u00bb30″][vc_column_inner animation=\u00bbfade-in-left\u00bb animation_delay=\u00bb500″ animation_duration=\u00bbfast\u00bb tablet_sm_width=\u00bb1″][vc_column_text css=\u00bb\u00bb]Khady Sylla, cineasta de Senegal de 44 a\u00f1os de edad, consigui\u00f3 una beca de 5,000 $US por su proyecto titulado \u00abLe monologue de la muette\u00bb (El mon\u00f3logo de la muda).<\/strong><\/p>\n

RESUMEN DEL PROYECTO<\/strong><\/p>\n

Ami trabaja como criada en las casas de un barrio de HLM en Dakar. Sus jornadas duran de doce a quince horas. Las amas de la casa no le permiten ning\u00fan descanso. Las ordenes le salen a chorros por todos lados. Una de ellas hasta la acusa de haberse robado un repollo. Ami vive en un sobrepoblado barrio de chabolas y gana un salario de miseria. Su \u00fanica esperanza es su marido Omar. Pero Omar vive muy, muy lejos en Casamance. Cuando regresa, s\u00f3lo pasan tres d\u00edas juntos.<\/p>\n

Ami da luz en el pueblo durante la temporada de lluvias. Ella trabaja en el campo y en la concesi\u00f3n de sus suegros. No gana nada. La vida de Ami parece ser sin esperanza. Es un verdadero callej\u00f3n sin salida. \u00bfEscuchara las palabras de los adivinos como Fatim, la cantante de rap, y Jos\u00e9phine la revolucionaria?<\/p>\n

Las empleadas dom\u00e9sticas de origen serer son aproximadamente cincuenta mil en Dakar. Ellas hacen todas las tareas dom\u00e9sticas. \u00bfPor qu\u00e9 la emancipaci\u00f3n de unas mujeres se paga con la servidumbre de otras?[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_top_multiplier=\u00bb2x\u00bb][vc_column_inner width=\u00bb1\/12″ animation=\u00bbfade-in\u00bb grve_css=\u00bb{\u00abdesktop\u00ab:{\u00abmargin-top\u00ab:\u00ab-25px\u00ab,\u00abmargin-left\u00ab:\u00ab-25px\u00ab,\u00abclass\u00ab:\u00abgrve-wpb-1744838676618\u00ab},\u00abmobile_landscape\u00ab:{\u00abmargin-top\u00ab:\u00ab30px\u00ab}}\u00bb]

<\/span><\/div><\/div>[\/vc_column_inner][vc_column_inner width=\u00bb5\/6″ animation=\u00bbfade-in\u00bb][vc_column_text css=\u00bb.vc_custom_1750878027034{margin-left: 25px !important;}\u00bb]No se encuentra f\u00e1cilmente financiamiento para realizar un documental, considerado injustamente como un g\u00e9nero menor. Sin embargo, el documental necesita la misma cantidad de inversi\u00f3n que la ficci\u00f3n. La realizaci\u00f3n de esta pel\u00edcula fue larga y dif\u00edcil. La localizaci\u00f3n nos tom\u00f3 tres semanas. El rodaje y el montaje fue hecho en dos per\u00edodos que tomaron dos meses cada uno. La beca de la Fundaci\u00f3n Alter-Cin\u00e9 nos sirvi\u00f3 para financiar la segunda etapa del montaje y, de esta manera, lograr el resultado al que llegamos: el documental \u00ab Le monologue de la muette \u00bb.[\/vc_column_text]
<\/div>[vc_column_text css=\u00bb.vc_custom_1750877970256{margin-left: 20px !important;}\u00bb text_style=\u00bbsmall-text\u00bb]- Khady Sylla[\/vc_column_text][\/vc_column_inner][vc_column_inner width=\u00bb1\/12″ vertical_content_position=\u00bbbottom\u00bb animation=\u00bbfade-in\u00bb mobile_text_align=\u00bbright\u00bb]
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[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=\u00bbcontainer-width\u00bb padding_top_multiplier=\u00bb2x\u00bb padding_bottom_multiplier=\u00bb\u00bb][vc_column width=\u00bb1\/4″ content_width=\u00bbcustom\u00bb horizontal_content_position=\u00bbcenter\u00bb custom_content_width=\u00bb370″][vc_row_inner][vc_column_inner grve_css=\u00bb{\u00abdesktop\u00ab:{\u00abmargin-top\u00ab:\u00ab-12%\u00ab,\u00abmargin-left\u00ab:\u00ab-12%\u00ab,\u00abclass\u00ab:\u00abgrve-wpb-1598351068805\u00ab},\u00abtablet_portrait\u00ab:{\u00abmargin-left\u00ab:\u00ab-2%\u00ab}}\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb3\/4″ vertical_content_position=\u00bbmiddle\u00bb][vc_row_inner columns_gap=\u00bb60″ tablet_sm_columns_vertical_gap=\u00bb30″][vc_column_inner animation=\u00bbfade-in-left\u00bb animation_delay=\u00bb500″ animation_duration=\u00bbfast\u00bb tablet_sm_width=\u00bb1″][vc_column_text css=\u00bb\u00bb]Khady Sylla, cineasta de Senegal de 44 a\u00f1os de edad, consigui\u00f3 una beca de 5,000 $US por su proyecto titulado \u00abLe monologue de la muette\u00bb (El mon\u00f3logo de la muda). RESUMEN DEL PROYECTO Ami trabaja como criada en […]<\/p>\n","protected":false},"author":1,"featured_media":862,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[156],"portfolio_field":[],"class_list":["post-2486","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2007-es","grve-entry-item"],"yoast_head":"\nKhady Sylla - Alter-Cin\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Khady Sylla - Alter-Cin\u00e9\" \/>\n<meta property=\"og:description\" content=\"[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=\u00bbcontainer-width\u00bb padding_top_multiplier=\u00bb2x\u00bb padding_bottom_multiplier=\u00bb\u00bb][vc_column width=\u00bb1\/4″ content_width=\u00bbcustom\u00bb horizontal_content_position=\u00bbcenter\u00bb custom_content_width=\u00bb370″][vc_row_inner][vc_column_inner grve_css=\u00bb{\u00abdesktop\u00ab:{\u00abmargin-top\u00ab:\u00ab-12%\u00ab,\u00abmargin-left\u00ab:\u00ab-12%\u00ab,\u00abclass\u00ab:\u00abgrve-wpb-1598351068805\u00ab},\u00abtablet_portrait\u00ab:{\u00abmargin-left\u00ab:\u00ab-2%\u00ab}}\u00bb][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00bb3\/4″ vertical_content_position=\u00bbmiddle\u00bb][vc_row_inner columns_gap=\u00bb60″ tablet_sm_columns_vertical_gap=\u00bb30″][vc_column_inner animation=\u00bbfade-in-left\u00bb animation_delay=\u00bb500″ animation_duration=\u00bbfast\u00bb tablet_sm_width=\u00bb1″][vc_column_text css=\u00bb\u00bb]Khady Sylla, cineasta de Senegal de 44 a\u00f1os de edad, consigui\u00f3 una beca de 5,000 $US por su proyecto titulado \u00abLe monologue de la muette\u00bb (El mon\u00f3logo de la muda). 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RESUMEN DEL PROYECTO Ami trabaja como criada en […]","og_url":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/","og_site_name":"Alter-Cin\u00e9","article_publisher":"https:\/\/www.facebook.com\/cinemadoc\/","article_modified_time":"2025-06-25T19:00:29+00:00","og_image":[{"width":800,"height":800,"url":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tiempo de lectura":"3 minutos"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/","url":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/","name":"Khady Sylla - Alter-Cin\u00e9","isPartOf":{"@id":"https:\/\/altercine.org\/es\/#website"},"primaryImageOfPage":{"@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/#primaryimage"},"image":{"@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/#primaryimage"},"thumbnailUrl":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg","datePublished":"2007-02-18T20:19:10+00:00","dateModified":"2025-06-25T19:00:29+00:00","breadcrumb":{"@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/#breadcrumb"},"inLanguage":"es","potentialAction":[{"@type":"ReadAction","target":["https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/"]}]},{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/#primaryimage","url":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg","contentUrl":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg","width":800,"height":800,"caption":"Ami travaille comme bonne dans une maison du quartier des HLM \u00e0 Dakar. Ses journ\u00e9es de travail durent douze \u00e0 quinze heures. Les femmes de la maison ne lui laissent aucun r\u00e9pit. Les ordres fusent de tous les c\u00f4t\u00e9s. L'une d'elles va jusqu'\u00e0 l'accuser d'avoir vol\u00e9 un chou. Ami vit dans un bidonville surpeupl\u00e9 et gagne un salaire de mis\u00e8re. Son dernier espoir reste son mari Omar. Mais Omar vit loin, loin en Casamance. Lorsqu'il revient, ils ne passent que trois jours ensemble. Ami accouche au village \u00e0 la saison des pluies. Elle travaille dans les champs et dans la concession de ses beaux parents. Elle ne gagne rien. La vie d'Ami semble sans espoir. C'est une v\u00e9ritable impasse. Entendra\u2011t\u2011elle les paroles des diseuses comme Fatim la slameuse et Jos\u00e9phine la r\u00e9volutionnaire? Les bonnes s\u00e9r\u00e8res sont \u00e0 peu pr\u00e8s cinquante mille \u00e0 Dakar. Elles tiennent les maisons. Pourquoi l'\u00e9mancipation des unes se paie par la servitude des autres?"},{"@type":"BreadcrumbList","@id":"https:\/\/altercine.org\/es\/Laureats\/khady-sylla\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/altercine.org\/es\/"},{"@type":"ListItem","position":2,"name":"Portfolio Items","item":"https:\/\/altercine.org\/es\/Laureats\/"},{"@type":"ListItem","position":3,"name":"2007","item":"https:\/\/altercine.org\/es\/Laureats-category\/2007-es\/"},{"@type":"ListItem","position":4,"name":"Khady Sylla"}]},{"@type":"WebSite","@id":"https:\/\/altercine.org\/es\/#website","url":"https:\/\/altercine.org\/es\/","name":"Alter-Cin\u00e9","description":"Fondation","publisher":{"@id":"https:\/\/altercine.org\/es\/#organization"},"alternateName":"Altercin\u00e9","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/altercine.org\/es\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"es"},{"@type":"Organization","@id":"https:\/\/altercine.org\/es\/#organization","name":"Alter-Cin\u00e9","url":"https:\/\/altercine.org\/es\/","logo":{"@type":"ImageObject","inLanguage":"es","@id":"https:\/\/altercine.org\/es\/#\/schema\/logo\/image\/","url":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/11\/share-altercine.jpg","contentUrl":"https:\/\/altercine.org\/wp-content\/uploads\/2025\/11\/share-altercine.jpg","width":1200,"height":675,"caption":"Alter-Cin\u00e9"},"image":{"@id":"https:\/\/altercine.org\/es\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/cinemadoc\/"]}]}},"_links":{"self":[{"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/portfolio\/2486","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/comments?post=2486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/media\/862"}],"wp:attachment":[{"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/media?parent=2486"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/portfolio_category?post=2486"},{"taxonomy":"portfolio_field","embeddable":true,"href":"https:\/\/altercine.org\/es\/wp-json\/wp\/v2\/portfolio_field?post=2486"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}