{"id":2607,"date":"2003-01-18T14:40:55","date_gmt":"2003-01-18T19:40:55","guid":{"rendered":"https:\/\/altercine.org\/?post_type=portfolio&p=2607"},"modified":"2025-06-20T14:47:51","modified_gmt":"2025-06-20T19:47:51","slug":"leila-kilani","status":"publish","type":"portfolio","link":"https:\/\/altercine.org\/en\/Laureats\/leila-kilani\/","title":{"rendered":"Leila Kilani"},"content":{"rendered":"

[vc_section]

[vc_row padding_top_multiplier=”custom” padding_bottom_multiplier=”custom” rc_heading_color=”white” rc_bg_type=”image” rc_bg_image=”328″ rc_bg_color_overlay=”black” rc_bg_opacity_overlay=”40″ rc_font_color=”#FFFFFF” padding_top=”128px” padding_bottom=”35px”][vc_column grve_css=”{“desktop“:{“margin-left“:“15px“,“class“:“grve-wpb-1741979987199“}}”]

Winners<\/span><\/span><\/h1>[\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_section]

[vc_row section_type=”container-width” disable_element=”yes”][vc_column][vc_column_text css=”” text_style=”small-text”]Accueil<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″]

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\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”]
<\/span><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”]

Winner 2003<\/span><\/h2>

Leila Kilani<\/span><\/h1>[vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]LEILA KILANI, 33, from Morocco, won the second grant for her project \u201cChroniques des ann\u00e9es de plomb\u201d, about the use of torture in her country’s recent past. The jury was impressed with Leila’s determination to break through the wall of silence that surrounds this subject, and the strong characters who will make up the voice of her film<\/strong><\/p>\n

PROJECT DESCRIPTION<\/strong><\/p>\n

From the 1960s to the 1990s, torture was used systematically by the state in Morocco. Several tens of thousand of citizens were persecuted and detained because of their opinions. Widely used, torture was help up as a threat to anyone who might contemplate opposition to the monarchy. It was effective in suppressing virtually all independent political activity. Branded as traitors, real and suspected opponents of the king were detained for years in secret, remote camps. Leila’s film will give voice to some of those who carry the physical and mental scars of \u201cthe years of lead\u201d[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]LEILA KILANI, 33, from Morocco, won the second grant for her project \u201cChroniques des ann\u00e9es de plomb\u201d, about the use of torture in her country’s recent past. The jury was impressed with Leila’s determination to break through the […]<\/p>\n","protected":false},"author":1,"featured_media":349,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[85],"portfolio_field":[],"class_list":["post-2607","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2003-2","grve-entry-item"],"yoast_head":"\nLeila Kilani - Alter-Cin\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/altercine.org\/en\/Laureats\/leila-kilani\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leila Kilani - Alter-Cin\u00e9\" \/>\n<meta property=\"og:description\" content=\"[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]LEILA KILANI, 33, from Morocco, won the second grant for her project \u201cChroniques des ann\u00e9es de plomb\u201d, about the use of torture in her country’s recent past. The jury was impressed with Leila’s determination to break through the […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/altercine.org\/en\/Laureats\/leila-kilani\/\" \/>\n<meta property=\"og:site_name\" content=\"Alter-Cin\u00e9\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemadoc\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-20T19:47:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/altercine.org\/wp-content\/uploads\/2025\/03\/nd-photo-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"360\" \/>\n\t<meta property=\"og:image:height\" content=\"360\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/leila-kilani\\\/\",\"url\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/leila-kilani\\\/\",\"name\":\"Leila Kilani - 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Alter-Cin\u00e9","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/altercine.org\/en\/Laureats\/leila-kilani\/","og_locale":"en_US","og_type":"article","og_title":"Leila Kilani - Alter-Cin\u00e9","og_description":"[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]LEILA KILANI, 33, from Morocco, won the second grant for her project \u201cChroniques des ann\u00e9es de plomb\u201d, about the use of torture in her country’s recent past. 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