{"id":2590,"date":"2005-03-18T15:07:08","date_gmt":"2005-03-18T20:07:08","guid":{"rendered":"https:\/\/altercine.org\/?post_type=portfolio&p=2590"},"modified":"2025-06-23T12:51:04","modified_gmt":"2025-06-23T17:51:04","slug":"miki-redelinghuys","status":"publish","type":"portfolio","link":"https:\/\/altercine.org\/en\/Laureats\/miki-redelinghuys\/","title":{"rendered":"Miki Redelinghuys"},"content":{"rendered":"

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[vc_row padding_top_multiplier=”custom” padding_bottom_multiplier=”custom” rc_heading_color=”white” rc_bg_type=”image” rc_bg_image=”328″ rc_bg_color_overlay=”black” rc_bg_opacity_overlay=”40″ rc_font_color=”#FFFFFF” padding_top=”128px” padding_bottom=”35px”][vc_column grve_css=”{“desktop“:{“margin-left“:“15px“,“class“:“grve-wpb-1741979987199“}}”]

Winners<\/span><\/span><\/h1>[\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_section]

[vc_row section_type=”container-width” disable_element=”yes”][vc_column][vc_column_text css=”” text_style=”small-text”]Accueil<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″]

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\"Miki<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”]
<\/span><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”]

Winner 2005<\/span><\/h2>

Miki Redelinghuys<\/span><\/h1>[vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]MIKI REDELINGHUYS, a 35 year-old filmmaker from South Africa, received the US $10,000 award for her documentary entitled \u201cKeiskamma: A Magical Place and its People\u201d. The six-member jury underlined her project’s originality as well as the strength of its characters whose actions exemplify qualities of humanitarianism, mutual aid, artistic creativity and democracy. The film will explore universal themes of love and altruism versus fear and greed; respect for differences rather than intolerance and exclusion. A hope-infused portrait of Africa<\/strong><\/p>\n

PROJECT DESCRIPTION<\/strong><\/p>\n

In July 2005, 140 women from the tiny Eastern Cape village of Hamburg presented South Africa with the most complex altar piece ever produced in Africa. The 3 meter high multi-media artwork pays homage to their fight against Aids and celebrates the human capacity to overcome hardships. Keiskamma is the story of this unusual rural village on the banks of the Keiskamma River, as told through the lives of our central characters. A controversial doctor, Carol Baker, takes us in her rattling pick-up, as she treats countless patients, learns to love the rebellious Aids orphan, Nkululeko, finds support in the motherly shape of Eunice, and inspires the women from the village to create the altar piece.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_top_multiplier=”2x”][vc_column_inner width=”1\/12″]

<\/span><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”5\/6″][vc_column_text css=””]Documentary filmmakers working in developing countries often find themselves in the conundrum of being surrounded by a host of stories that demand to be told, and a lack of funds to tell them in the best possible way. When I first visited Hamburg, a tiny Eastern Cape village, on the banks of the Keiskamma River in 2004, I knew that I would make a film about this remote, but inspiring place. I wanted to be able to invest my time, to shoot a film over a period of 1-2 years. In 2005 I started filming Keiskamma, before we had any funders or broadcaster on board. Since we own our own camera equipment, we could do this, although travel to Hamburg from Cape Town (a two hour flight or 12 hour drive) did demand a certain hard cost investment.<\/p>\n

I was in Hamburg, filming the heart of the film, when we received the news that we had received the Alter-Cine Fund. This great news couldn\u2019t have come at a better time! Not only did it help us financially, but also emotionally! It was a great honour and vote of confidence in the story of Keiskamma that a Canadian fund saw fit to support us. This boosted our morale and gave us the encouragement we needed at a difficult time in the production. It has always been a pleasure to communicate with the Alter-Cine Foundation, whose support and encouragement has been constant for the last 2 years. We hope and trust that the Alter-Cine Foundation will continue to support filmmakers from developing countries, often telling non-mainstream stories of people who don\u2019t have a voice in the world media![\/vc_column_text]

<\/div>[vc_column_text css=”” text_style=”small-text”]- Miki Redelinghuys[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″ vertical_content_position=”bottom”]
<\/span><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]MIKI REDELINGHUYS, a 35 year-old filmmaker from South Africa, received the US $10,000 award for her documentary entitled \u201cKeiskamma: A Magical Place and its People\u201d. The six-member jury underlined her project’s originality as well as the strength of […]<\/p>\n","protected":false},"author":1,"featured_media":873,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[83],"portfolio_field":[],"class_list":["post-2590","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2005-2","grve-entry-item"],"yoast_head":"\nMiki Redelinghuys - Alter-Cin\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/altercine.org\/en\/Laureats\/miki-redelinghuys\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Miki Redelinghuys - Alter-Cin\u00e9\" \/>\n<meta property=\"og:description\" content=\"[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]MIKI REDELINGHUYS, a 35 year-old filmmaker from South Africa, received the US $10,000 award for her documentary entitled \u201cKeiskamma: A Magical Place and its People\u201d. 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