{"id":2581,"date":"2007-02-18T15:19:10","date_gmt":"2007-02-18T20:19:10","guid":{"rendered":"https:\/\/altercine.org\/?post_type=portfolio&#038;p=2581"},"modified":"2025-06-25T14:00:17","modified_gmt":"2025-06-25T19:00:17","slug":"khady-sylla","status":"publish","type":"portfolio","link":"https:\/\/altercine.org\/en\/Laureats\/khady-sylla\/","title":{"rendered":"Khady Sylla"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_section]<div class=\"wpb-content-wrapper\"><p>[vc_row padding_top_multiplier=&#8221;custom&#8221; padding_bottom_multiplier=&#8221;custom&#8221; rc_heading_color=&#8221;white&#8221; rc_bg_type=&#8221;image&#8221; rc_bg_image=&#8221;328&#8243; rc_bg_color_overlay=&#8221;black&#8221; rc_bg_opacity_overlay=&#8221;40&#8243; rc_font_color=&#8221;#FFFFFF&#8221; padding_top=&#8221;128px&#8221; padding_bottom=&#8221;35px&#8221;][vc_column grve_css=&#8221;{&#8220;desktop&#8220;:{&#8220;margin-left&#8220;:&#8220;15px&#8220;,&#8220;class&#8220;:&#8220;grve-wpb-1741979987199&#8220;}}&#8221;]<h1 class=\"grve-element grve-animated-text grve-animated-item grve-align-left grve-h2 grve-style-1\" data-style=\"style-1\" data-delay=\"0\" data-duration=\"normal\"><span class=\"grve-animated-entry\"><span class=\"grve-line\">Winners<\/span><\/span><\/h1>[\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_section]<div class=\"wpb-content-wrapper\"><p>[vc_row section_type=&#8221;container-width&#8221; disable_element=&#8221;yes&#8221;][vc_column][vc_column_text css=&#8221;&#8221; text_style=&#8221;small-text&#8221;]<span><span><a href=\"https:\/\/altercine.org\/en\/\">Accueil<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243; content_width=&#8221;custom&#8221; horizontal_content_position=&#8221;center&#8221; custom_content_width=&#8221;370&#8243;]<div data-clipping-color=\"black\" data-animation=\"colored-clipping-up\" data-delay=\"300\" data-duration=\"fast\" class=\"grve-element grve-image grve-align-center grve-clipping-animation grve-advanced-animation grve-colored-clipping grve-animated-item\">\r\n\t<div class=\"grve-image-item\">\r\n\t\t\r\n\r\n<div class=\"grve-image-wrapper grve-radius-3 grve-shadow-medium grve-no-effect\">\r\n\t\t<div class=\"grve-thumbnail-wrapper\"  style=\"width: 768px;\"><div class=\"grve-thumbnail\"  style=\"padding-top: 100%;\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"768\" src=\"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla-768x768.jpg\" class=\"attachment-medium_large size-medium_large\" alt=\"Khady Sylla\" data-column-space=\"auto\" data-lazyload=\"\" data-grve-filter=\"yes\" srcset=\"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla-768x768.jpg 768w, https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla-300x300.jpg 300w, https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla-150x150.jpg 150w, https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla-560x560.jpg 560w, https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg 800w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_row_inner][vc_column_inner grve_css=&#8221;{&#8220;desktop&#8220;:{&#8220;margin-top&#8220;:&#8220;-12%&#8220;,&#8220;margin-left&#8220;:&#8220;-12%&#8220;,&#8220;class&#8220;:&#8220;grve-wpb-1598351068805&#8220;},&#8220;tablet_portrait&#8220;:{&#8220;margin-left&#8220;:&#8220;-2%&#8220;}}&#8221;]<div data-animation=\"fade-in-left\" data-delay=\"600\" data-duration=\"normal\" class=\"grve-element grve-divider grve-animated-item\"><span class=\"grve-custom-divider grve-bg-primary-1 grve-align-inherit\" style=\"width: 100px;height: 10px;\"><\/span><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;3\/4&#8243; vertical_content_position=&#8221;middle&#8221;]<h2 class=\"grve-element grve-title grve-align-inherit grve-h6\"><span>Winner 2007<\/span><\/h2><h1 data-animation=\"fade-in-up\" data-delay=\"400\" data-duration=\"fast\" class=\"grve-element grve-title grve-align-inherit grve-animated-item grve-feature-title\" style=\"margin-bottom: 30px;\"><span>Khady Sylla<\/span><\/h1>[vc_row_inner columns_gap=&#8221;60&#8243; tablet_sm_columns_vertical_gap=&#8221;30&#8243;][vc_column_inner animation=&#8221;fade-in-left&#8221; animation_delay=&#8221;500&#8243; animation_duration=&#8221;fast&#8221; tablet_sm_width=&#8221;1&#8243;][vc_column_text css=&#8221;&#8221;]<strong>Khady Sylla (44) from Senegal, was awarded a US $5,000 grant for her film \u201cLe monologue de la muette\u201d (The Monologue of the Dumb)<\/strong><\/p>\n<p><strong>PROJECT DESCRIPTION<\/strong><\/p>\n<p>Ami works as maid for a well-to-do family in Dakar, Senegal. She works twelve hours or more a day. The women in the household never leaves her alone. She&#8217;s paid a pittance and even accused of stealing a head of cabbage.<\/p>\n<p>Ami lives in a crowded shantytown. Her only hope for escape lies with her husband, Omar. But Omar works far away in the province of Casamance, and only comes home for rare, short visits.<\/p>\n<p>Ami gives birth in her husband&#8217;s village during the rainy season. She&#8217;s then made to work on the land of her in-laws, where she earns nothing at all. Her life appears in a dead end. Does she listen to fortune-tellers like Fatim, the rapper, or Josephine, the revolutionary?<\/p>\n<p>There are fifty thousand Serere maids in Dakar. Why does the freedom of some take place on the backs of others?[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_top_multiplier=&#8221;2x&#8221;][vc_column_inner width=&#8221;1\/12&#8243; animation=&#8221;fade-in&#8221; grve_css=&#8221;{&#8220;desktop&#8220;:{&#8220;margin-top&#8220;:&#8220;-25px&#8220;,&#8220;margin-left&#8220;:&#8220;-25px&#8220;,&#8220;class&#8220;:&#8220;grve-wpb-1744838676618&#8220;},&#8220;mobile_landscape&#8220;:{&#8220;margin-top&#8220;:&#8220;30px&#8220;}}&#8221;]<div class=\"grve-element grve-single-icon grve-align-inherit grve-extra-large\"><div class=\"grve-wrapper-icon grve-text-custom\" style=\" color: #D3CCBB;\"><span class=\"grve-icon vc-oi vc-oi-quote-left\"><\/span><\/div><\/div>[\/vc_column_inner][vc_column_inner width=&#8221;5\/6&#8243; animation=&#8221;fade-in&#8221;][vc_column_text css=&#8221;.vc_custom_1750878015511{margin-left: 25px !important;}&#8221;]Financing is difficult to obtain for documentary films, which are wrongly considered to be a minor genre. Yet documentary requires investments, just as fiction does. My film required two weeks of location scouting, two shooting and editing phases which lasted two months each. The grant from the Alter-Cin\u00e9 Foundation helped finance the second editing phase and allowed us to obtain the final results, the documentary \u201cLe monologue de la muette\u201d. Thank you.[\/vc_column_text]<div class=\"grve-empty-space grve-height-1x\"><\/div>[vc_column_text css=&#8221;.vc_custom_1750877970256{margin-left: 20px !important;}&#8221; text_style=&#8221;small-text&#8221;]- Khady Sylla[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/12&#8243; vertical_content_position=&#8221;bottom&#8221; animation=&#8221;fade-in&#8221; mobile_text_align=&#8221;right&#8221;]<div class=\"grve-element grve-single-icon grve-align-inherit grve-extra-large\"><div class=\"grve-wrapper-icon grve-text-custom\" style=\" color: #D3CCBB;\"><span class=\"grve-icon vc-oi vc-oi-quote-right\"><\/span><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243; content_width=&#8221;custom&#8221; horizontal_content_position=&#8221;center&#8221; custom_content_width=&#8221;370&#8243;][vc_row_inner][vc_column_inner grve_css=&#8221;{&#8220;desktop&#8220;:{&#8220;margin-top&#8220;:&#8220;-12%&#8220;,&#8220;margin-left&#8220;:&#8220;-12%&#8220;,&#8220;class&#8220;:&#8220;grve-wpb-1598351068805&#8220;},&#8220;tablet_portrait&#8220;:{&#8220;margin-left&#8220;:&#8220;-2%&#8220;}}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;3\/4&#8243; vertical_content_position=&#8221;middle&#8221;][vc_row_inner columns_gap=&#8221;60&#8243; tablet_sm_columns_vertical_gap=&#8221;30&#8243;][vc_column_inner animation=&#8221;fade-in-left&#8221; animation_delay=&#8221;500&#8243; animation_duration=&#8221;fast&#8221; tablet_sm_width=&#8221;1&#8243;][vc_column_text css=&#8221;&#8221;]Khady Sylla (44) from Senegal, was awarded a US $5,000 grant for her film \u201cLe monologue de la muette\u201d (The Monologue of the Dumb) PROJECT DESCRIPTION Ami works as maid for a well-to-do family in Dakar, Senegal. She [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":861,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[81],"portfolio_field":[],"class_list":["post-2581","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2007-2","grve-entry-item"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Khady Sylla - Alter-Cin\u00e9<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/altercine.org\/en\/Laureats\/khady-sylla\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Khady Sylla - Alter-Cin\u00e9\" \/>\n<meta property=\"og:description\" content=\"[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=&#8221;container-width&#8221; padding_top_multiplier=&#8221;2x&#8221; padding_bottom_multiplier=&#8221;&#8221;][vc_column width=&#8221;1\/4&#8243; content_width=&#8221;custom&#8221; horizontal_content_position=&#8221;center&#8221; custom_content_width=&#8221;370&#8243;][vc_row_inner][vc_column_inner grve_css=&#8221;{&#8220;desktop&#8220;:{&#8220;margin-top&#8220;:&#8220;-12%&#8220;,&#8220;margin-left&#8220;:&#8220;-12%&#8220;,&#8220;class&#8220;:&#8220;grve-wpb-1598351068805&#8220;},&#8220;tablet_portrait&#8220;:{&#8220;margin-left&#8220;:&#8220;-2%&#8220;}}&#8221;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;3\/4&#8243; vertical_content_position=&#8221;middle&#8221;][vc_row_inner columns_gap=&#8221;60&#8243; tablet_sm_columns_vertical_gap=&#8221;30&#8243;][vc_column_inner animation=&#8221;fade-in-left&#8221; animation_delay=&#8221;500&#8243; animation_duration=&#8221;fast&#8221; tablet_sm_width=&#8221;1&#8243;][vc_column_text css=&#8221;&#8221;]Khady Sylla (44) from Senegal, was awarded a US $5,000 grant for her film \u201cLe monologue de la muette\u201d (The Monologue of the Dumb) PROJECT DESCRIPTION Ami works as maid for a well-to-do family in Dakar, Senegal. She [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/altercine.org\/en\/Laureats\/khady-sylla\/\" \/>\n<meta property=\"og:site_name\" content=\"Alter-Cin\u00e9\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/cinemadoc\/\" \/>\n<meta property=\"article:modified_time\" content=\"2025-06-25T19:00:17+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/altercine.org\/wp-content\/uploads\/2025\/04\/Altercine_0093_2007-Khady-Sylla.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/\",\"url\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/\",\"name\":\"Khady Sylla - Alter-Cin\u00e9\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/altercine.org\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Altercine_0093_2007-Khady-Sylla.jpg\",\"datePublished\":\"2007-02-18T20:19:10+00:00\",\"dateModified\":\"2025-06-25T19:00:17+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/altercine.org\\\/en\\\/Laureats\\\/khady-sylla\\\/#primaryimage\",\"url\":\"https:\\\/\\\/altercine.org\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Altercine_0093_2007-Khady-Sylla.jpg\",\"contentUrl\":\"https:\\\/\\\/altercine.org\\\/wp-content\\\/uploads\\\/2025\\\/04\\\/Altercine_0093_2007-Khady-Sylla.jpg\",\"width\":800,\"height\":800,\"caption\":\"Ami travaille comme bonne dans une maison du quartier des HLM \u00e0 Dakar. Ses journ\u00e9es de travail durent douze \u00e0 quinze heures. Les femmes de la maison ne lui laissent aucun r\u00e9pit. Les ordres fusent de tous les c\u00f4t\u00e9s. L'une d'elles va jusqu'\u00e0 l'accuser d'avoir vol\u00e9 un chou. Ami vit dans un bidonville surpeupl\u00e9 et gagne un salaire de mis\u00e8re. Son dernier espoir reste son mari Omar. Mais Omar vit loin, loin en Casamance. Lorsqu'il revient, ils ne passent que trois jours ensemble. Ami accouche au village \u00e0 la saison des pluies. Elle travaille dans les champs et dans la concession de ses beaux parents. Elle ne gagne rien. La vie d'Ami semble sans espoir. C'est une v\u00e9ritable impasse. Entendra\u2011t\u2011elle les paroles des diseuses comme Fatim la slameuse et Jos\u00e9phine la r\u00e9volutionnaire? Les bonnes s\u00e9r\u00e8res sont \u00e0 peu pr\u00e8s cinquante mille \u00e0 Dakar. Elles tiennent les maisons. 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Ses journ\u00e9es de travail durent douze \u00e0 quinze heures. Les femmes de la maison ne lui laissent aucun r\u00e9pit. Les ordres fusent de tous les c\u00f4t\u00e9s. L'une d'elles va jusqu'\u00e0 l'accuser d'avoir vol\u00e9 un chou. Ami vit dans un bidonville surpeupl\u00e9 et gagne un salaire de mis\u00e8re. Son dernier espoir reste son mari Omar. Mais Omar vit loin, loin en Casamance. Lorsqu'il revient, ils ne passent que trois jours ensemble. Ami accouche au village \u00e0 la saison des pluies. Elle travaille dans les champs et dans la concession de ses beaux parents. Elle ne gagne rien. La vie d'Ami semble sans espoir. C'est une v\u00e9ritable impasse. Entendra\u2011t\u2011elle les paroles des diseuses comme Fatim la slameuse et Jos\u00e9phine la r\u00e9volutionnaire? Les bonnes s\u00e9r\u00e8res sont \u00e0 peu pr\u00e8s cinquante mille \u00e0 Dakar. Elles tiennent les maisons. 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