{"id":2346,"date":"2017-03-01T16:21:29","date_gmt":"2017-03-01T21:21:29","guid":{"rendered":"https:\/\/altercine.org\/?post_type=portfolio&p=2346"},"modified":"2025-06-25T14:17:41","modified_gmt":"2025-06-25T19:17:41","slug":"valentina-llorens","status":"publish","type":"portfolio","link":"https:\/\/altercine.org\/en\/Laureats\/valentina-llorens\/","title":{"rendered":"Valentina Llorens"},"content":{"rendered":"

[vc_section]

[vc_row padding_top_multiplier=”custom” padding_bottom_multiplier=”custom” rc_heading_color=”white” rc_bg_type=”image” rc_bg_image=”328″ rc_bg_color_overlay=”black” rc_bg_opacity_overlay=”40″ rc_font_color=”#FFFFFF” padding_top=”128px” padding_bottom=”35px”][vc_column grve_css=”{“desktop“:{“margin-left“:“15px“,“class“:“grve-wpb-1741979987199“}}”]

Winners<\/span><\/span><\/h1>[\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_section]

[vc_row section_type=”container-width” disable_element=”yes”][vc_column][vc_column_text css=”” text_style=”small-text”]Accueil<\/a><\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>[\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″]

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\"\"<\/div><\/div>\t<\/div>\r\n\t<\/div>\r\n<\/div>\r\n[vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”]
<\/span><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”]

Winner 2017<\/span><\/h2>

Valentina Llorens<\/span><\/h1>[vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]A $5,000 grant was awarded to an Argentinian filmmaker, Valentina Llorens, for her project La casa de Arg\u00fcello (The Arg\u00fcello House)<\/strong><\/p>\n

PROJECT DESCRIPTION<\/strong><\/p>\n

Human bones are discovered; they belong to someone who was disappeared by the Argentinian military dictatorship in the 1970. They turn out to be the remains of Sebastian, the uncle of the film\u2019s director. The pain that wells up with the discovery is told by four generations of women: Grandma Nelly, who lost two sons; Fatima, long-time political prisoner; Valentina, Fatima\u2019s daughter born in prison and distanced from her mother; and Frida, Valentina\u2019s daughter who was five at the time of the gruesome discovery and then thrown into the soul-wrenching return of history that shakes up the family.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner padding_top_multiplier=”2x”][vc_column_inner width=”1\/12″ animation=”fade-in” grve_css=”{“desktop“:{“margin-top“:“-25px“,“margin-left“:“-25px“,“class“:“grve-wpb-1744838676618“},“mobile_landscape“:{“margin-top“:“30px“}}”]

<\/span><\/div><\/div>[\/vc_column_inner][vc_column_inner width=”5\/6″ animation=”fade-in”][vc_column_text css=”.vc_custom_1750879059209{margin-left: 25px !important;}”]La Casa de Arguello is an intimate film that required self-direction and independence. I filmed my grandmother, my mother and my family, over a period of 17 years. I worked alone, wanting to preserve as much intimacy as possible, in all circumstances. Capturing those moments that \u00ab tell \u00bb the story meant taking time to observe the evolution of characters, as with my grandmother whom I filmed from the age of 80 to 97 years (\u2026). First person stories such as this require more time for the filmmaker\u2019s creative process to emerge. Being able to count on the support of the Alter-Cine foundation allowed me to improve the quality of the production by respecting the internal processes spread over so many years that this documentary required. Many thanks![\/vc_column_text]
<\/div>[vc_column_text css=”.vc_custom_1750879026706{margin-left: 20px !important;}” text_style=”small-text”]- Valentina Llorens[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/12″ vertical_content_position=”bottom” animation=”fade-in” mobile_text_align=”right”]
<\/span><\/div><\/div>[\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_section][\/vc_section][vc_section][\/vc_section][vc_row section_type=”container-width” padding_top_multiplier=”2x” padding_bottom_multiplier=””][vc_column width=”1\/4″ content_width=”custom” horizontal_content_position=”center” custom_content_width=”370″][vc_row_inner][vc_column_inner grve_css=”{“desktop“:{“margin-top“:“-12%“,“margin-left“:“-12%“,“class“:“grve-wpb-1598351068805“},“tablet_portrait“:{“margin-left“:“-2%“}}”][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”3\/4″ vertical_content_position=”middle”][vc_row_inner columns_gap=”60″ tablet_sm_columns_vertical_gap=”30″][vc_column_inner animation=”fade-in-left” animation_delay=”500″ animation_duration=”fast” tablet_sm_width=”1″][vc_column_text css=””]A $5,000 grant was awarded to an Argentinian filmmaker, Valentina Llorens, for her project La casa de Arg\u00fcello (The Arg\u00fcello House) PROJECT DESCRIPTION Human bones are discovered; they belong to someone who was disappeared by the Argentinian military […]<\/p>\n","protected":false},"author":1,"featured_media":735,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[71],"portfolio_field":[],"class_list":["post-2346","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-2017-2","grve-entry-item"],"yoast_head":"\nValentina Llorens - 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